By all accounts, it was a SUPER Sunday packed with super charged entertainment. "Everything seemed just a little bigger than life, this year"¦the set-up, the halftime entertainment and the game itself", says Lee Estroff, a senior Director of Bexel Broadcast Services. That said, who really was "The Boss" on location in the days leading up to this momentous event?

Some say it was the crew at NFL Films doing their normal provision of International feeds to broadcasters all over the world ...but this year, they also produced the NFL Network's "around the clock" coverage from both Raymond James Stadium and from all the hot spots around Tampa...

Some say it was NEP (using its ND3 typically showcased for NBC Sunday Football Night coverage) at the very center of the Super Bowl coverage.

Some say it was Bruce Springsteen (with the E Street Band) responsible for a halftime performance that turned out to be one of the best halftime shows ever. Bob Muller oversaw technical operations of the halftime show, produced out of NEP's Denali truck. "We took feeds from 12 Sony HDC-1500 cameras that NBC will use for game coverage plus have another nine cameras of our own," says Muller. "We had three jib cameras, four handheld cameras, and two robotic cameras on the stage"¦"

Want to talk about it? Contact Lee Estroff directly HERE: lestroff@bexel.com

Read more about Bexel Broadcast Services signature Flypack Systems HERE