Field editing system components were traditionally shipped in cases and set up at live event venues in rented trailers. That may have been serviceable, but was hardly ideal, especially for a January playoff game in Green Bay! That is why Bexel created BBS ONE as a complete edit command center on wheels.

Its well-designed and appointed edit suites 1 and 2, on-board IT connectivity, and access to Bexel's full range of totally modular edit and production equipment provide a comfortable working environment and unmatched flexibility to meet high-level editing needs at the most demanding live event productions.

As a result, BBS ONE has supported all of the major networks at nearly every top-flight live event nationwide, including this year's Final Four. Even though production was the top priority, Bexel's Director of BBS Technical Sales, Lee Estroff was on hand to present a mini-open house, which allowed a dozen influential broadcasters from CBS Sports and technical specialists from F&F Productions to tour the truck and see the new Sony HD linear edit bay and two Avid HD non-linear edit bays at work.

This was one of many on-site "˜open house' events that Bexel Broadcast Services has sponsored and produced in an effort to further the knowledge and understanding of emerging technologies and get real-world input from the broadcast community.